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2023.04.28 13:20 lefuniname Burr Oak - Somewhere We Belong [Eatbrain] Album Review & Spotlight
![]() | submitted by lefuniname to DnB [link] [comments] https://preview.redd.it/kk6vsm4e0mwa1.jpg?width=1400&format=pjpg&auto=webp&s=157fa0072cc05bb2b9c0fcd77e6f5874a7c6bfb6 Buy & StreamReviewWelcome to my fifteenth album write-up! I apologize in advance for the wall of text that is about to follow. Scroll down for a TL;DR on the LP.BackgroundThe endless Struggle, the Odyssey through inadequate releases from other artists, the Nightmare that has been My Life without it, it all comes to an end today. Following a trail of musical output that can only be described as Bestial and mercilessly teased for so long that the almost excrutiating levels of hype for it has even become the subject of numerous memes, "the new Burr Oak album" has been heralded as a future AOTY contender for quite some time now.Now that the Time Has (finally, actually, for realsies even) Come, let's take a deeper look into the culmination of a combined fourty years of experience in music production. Will it be a Departure from their usual style? Or are they sticking to their Roots? Will it be so good that Neurofunk becomes Illegal, since we have clearly reached its final form? Or will it be so bad that The Sky Darkens and The World's Spark is fully extinguished, sparking a new Dark Age in which No Light Will ever Shine On? Fire up the Popcorn Machine, make sure you stretch appropriately and move fragile objects out of your way, we're (probably, hopefully) about to go full Barbarian over here. Or should I say, Bar-Burr(Oak)ian? Before we do that though, let's first untangle the enormous web of musical ventures and aliases they have built so far, shall we? 1. Julien CarbouTo keep things a bit more focused, let's start with just one half of the prolific French duo: Julien Carbou!1.1. The Early Julien Catches The Carbounara (1981 - 2008)This particular story begins in the deepest corners of Southeastern France, where little Julien was born and raised to be quite the musically curious person. Right from an early age, he was effortlessly swinging from one vine in the rich jungle of music to another, with his rotation going from the classics like Crosby, Stills, Nash & Young to artists practicing the dark magic of harder Rock variants like Iron Maiden and Sepultura and, after being introduced to the wonders of Hip-Hop by a friend, sometimes also ending up with Wu Tang's Method Man and Redman. Punk and Metal reigned supreme in this battle of the genres though, with Julien eventually even starting to play guitar himself and joining a band!Towards the end of the 90s, Julien was slowly but surely transitioning over to more electronic sounds though. The very first step on this musical awakening, as he calls it, came in the form of his friend giving him a mixtape of UK-based hard techno collective Spiral Tribe, which basically positively blew his mind. Shortly after, he began going to free not-quite-legal raves near him, which turned out to be a hugely effective fertilizer for this budding love for all things electronic. Not only did he discover how wonderful this kind of music could be in a live setting, he was also deeply fascinated by the DIY aspect of it all, from the intricacies of DJing to all the hardware involved in setting up a party in the first place. With the likes of SP23, Sound Conspiracy and The Prodigy now dominating his personal playlists, you would think the jump to DnB would happen not long after, but even after having caught Congo Natty & Aphrodite on the airwaves a couple of times and his friends Agro Twins starting to play around with the genre, he still preferred his fours neatly placed on the floor. Flash-forward to 2005. Julien was hanging out in his usual skate spot, when another good friend of his came running, urging him to listen to something. That something? The Tide, from Dutch masterminds Noisia. Yet another musical awakening! In the following years, Julien would go from loving the Do-It-Yourself aesthetic of it all to actually doing it himself, by launching The Phat Riderz with his friend Ryos in 2006. It wasn't necessarily DnB that peaked their interest though, their phatscinations lied in the realm of Electro and Breakbeat. Anything Phat, really. After carving out a little niche for themselves on labels like Break-Bots, Fresh Produce and Empathy in these first few years, their repertoire also expanded into what you could reasonably call Neurofunk towards the end of the project's lifespan, exemplified best by the aptly-titled Heaven Massacre, until they dissolved around 2008. 1.2. Claéw Markz (2008 - 2015)As one project died, another one emerged, with a similarly youthful zpelling ztyle: Imprintz. While this new alias was technically just him on his (Julien Carb-)own, it basically became a Kloéllaborative one for the most part. Together with fellow Frenchie, scratch DJ and producer Chloé Kloé Rabatel, he not only expanded upon his new-found love for DnB and more specifically Neuro with releases like the Till The End EP, they were also responsible for a regular stream of Electro/House/Electro House type bangers, sometimes even combining multiple styles into one. Like on Maximum, one of their many collaborations with a young Xilent, nowadays one of Dubstep's biggest talents! Over the years, the duo also bagged another few exciting collabs with Exorcist and Task Horizon, among their many solo and duo adventures, and received early support by the likes of John B and Neonlight.Even though they were spanning their stylistic umbrella quite wide open, their productions were always top-notch, resulting in releases on all kinds of imprints (very much intended), including Mainframe, Ammunition and a whole lot more names that I am very unfamiliar with. After three full years of causing carnage as Imprintz, however, a name you and I are very familiar with materialized in 2011: The Clamps! Named after an in-joke about how his hands are more like two mechanical clamps than normal human appendages, the project (of course!) started out full of crab imagery and word play in the beginning. As one of those people who have been holding up cardboard pincers at various festivals and spamming crab emotes in chat all throughout lockdown, going down this particular amazing (c)rabbit hole was honestly the best thing ever. Stumbling upon titles like Way Of Crab, seeing the various cute crustaceans on his mix artworks, discovering he had a podcast series called Corals & Algae, I love it so much! After a bit more than a year of continuing to claw his way through the Electro House scene, he was peer-pressured by his friends Céline and Etienne to create something extra spicy for Kosenprod, the then-newly founded Bass-focused sister label of the bastion of all things Hardcore that is Karnage Records. Soon after, he would also be featured on other underground Neuro platforms like Disturbed or Dissected Culture, entered the Halo 4 remix competition (which I didn't even know was a thing) with a big break-and-bass-y banger and started uploading Neuro mixes. Among all this Neuro exploration, this time also saw him spread out his claws further than ever before, rocking left-to-right from expansive Progressive Trance to Hardcore Karnage and even trying his pincers at Dubstep. Once 2014 rolled around, the DnB notably began to take over again though, with releases on Close 2 Death (more like Claws 2 Death), him being crowned one of the winners of Black Sun Empire's and Noisia's Hideous remix competition together with Redject, remixes for Forbidden Society and rising stars Opsen & Primary Theory and promo mixes for Neuro powerhouse collective Enter The Grid, formed by scene behemoths NeurofunkGrid and, of course, Kosen, which he became a big part of. What followed next, however, was what really put things into motion. 1.3. Nothing Left Toulouse (2015 - Now)One fateful day, now Toulouse-based Julien sent a track he was particularly happy with to the demo box of Trendkill, home to all sorts of banging tunes from label founder Prolix and the likes of Gridlok, Mob Tactics and Misanthrop. A couple days later, Prolix, who had actually been one of Julien's main reference points when it came to DnB, responded and was so happy with what he heard, he signed this and a whole couple more tunes right away, bonding over a shared taste in Rock music in the process. After an initial thriple single and the arrival of the legendary Social Disorder EP, one door after the other opened for him, leading to releases on Citrus, Audioporn and Invisible, remixes for Rusty K and Forbidden Society (again), and throughout this wondrous adventure of DnB and Hardcore, he also came to the conclusion that it is finally time for something big: his debut album!Released in 2018 on his home label Kosen, Odyssey took everything he had learned over the course of his journey so far and condensed it into a 15-track nuclear bomb of bangers, with features like Mizo, NickBee and Merikan aiding him in this scientific process. While Julien had acquired quite the ensemble of collaborators at this point, there was one that he had been itching to work with since way back in 2016: Opsen. In 2019, this year-long wish was finally fulfilled and their collaborative debut Interaction was released on Trendkill, supported by none other than BBC Radio 1! I'll get to why this is important in a little bit, don't worry. Over the next couple years, the Neurofunk scene continued to be heavily shaped by not just one ridiculous EP after the other on both Trendkill and especially Kosen, but also by cheeky collaborations with Qo, Disaszt and even experimental Jazz musician / his actual cousin Thomas Carbou, and massive remixes for Zombie Cats and Rusty K (again). While the The Clamps project only branched back out to Hardcore a couple of times these past few years, most notably for the 20 Years Of Karnage Anthem and a few TV-smashing collabs with STV, there was way more to Julien's musical output to explore. Between 2013 and 2015, Julien and his then-roommate Kim "Skimfish" "Kim Kong" Fisher started out as Techno duo Animals In Cage, which also found a home on Kosen! Julien eventually left the project, but Kim seemingly continued on solo until even that kind of dissolved around 2018. Kim is still active on SoundCloud though! Speaking of 2018: In the very same year Julien put out his debut album as The Clamps, fellow NHC Studios mastering wizard NickBee referred Yan "Deerhill" Hirschbuehl, who was working on visuals for him at the time, to him and, just like Nick predicted, they hit it off really well! Together, Yan and Julien launched Third Colony, their outlet for all things that you can't really classify with normal genres, in tandem with the label Third Colony Music, their and a load of other people's new playground for expressing themselves. As if that wasn't enough already, Julien also works as Kosenprod's and Karnage's A&R on the side! Of course, there were a couple more projects I need to mention if I want to tell the whole story, but before we get to that, we need to talk about someone else first. 2. Nicolas LevyNow that we have heard most of Julien's side of the story, let's flip the coin and talk about Nicolas "Niko" Levy.2.1. Nico Nico Party Party (1988 - 2013)Julien wasn't the only one who started off exploring all corners of music early. When Niko was just a little 5-to-6-year-old, his big brother gave him a copy of Nevermind by Nirvana, steering him down a path of hardcore, metal and generally all sorts of rock-y things. Wanting to try his hand at this music thing himself, he would start playing the drums for a couple of years, but soon enough, he would switch drum sticks with strained vocal chords, by becoming a "screamer" in a hardcore/metal band! One fine summer in the early 2000s, when Niko was in Tignes taking part in a snowboarding camp, a few mates he had met there sat him down and showed him his very first Techno CD. While the specifics of which artist sealed the deal or which exact compilation it was were lost to time, the game-changing effect it had on him remained. As if he was trying to follow Julien's footsteps, he also attended his first free still-not-very-legal rave in the South East of France a couple of weeks later, which was also such a life-affirming, positively inspiring event for him that he became enamored with the electronic music scene as well.In fact, this experience was so powerful that he swiftly sought out to buy his first drum machines and synthesizers, to put his own stamp on what he had heard. He already dabbled with Techno and its acidic cousin during this time, but from what I can tell, none of it ever ended up online. In 2011, he finally made the step from Nicoffline to Niconline with his brand new project, Disco BangerZ! Z's were just really popular at the time I guess. Kicked off with the appropriately-titled debut single "Fuck Off", you can already tell that this wonderfully-named project had a lot of youthful energy behind it. Often in (Ni)collaboration with Julien "Wobble Boy" Palasse, the Disco BangerZ sound was situated somewhere between Dubstep, Drumstep and Electro House, with releases on Best New Dubstep Label nominated Betamorph Recordings and, wouldn't you know it, Kosenprod! While he was already having quite the success with his bangerZ approach, playing everywhere from Paris to Prague, he, just like Julien, wanted to shed the Z in favour of something more modern and, unlike Julien, immediately wanted to go into a more DnB heavy direction. 2.2. All Signs Point To Opsenity (2013 - 2016)Around 2013, Niko finally unveiled the new name he would use for this new and exciting artistic endeavour: Opsen! After a whole 'nother bunch of (Ni)cooperations with Wobble Boy, or Primal Therapy as he came to be known from then on, and a couple solo tunes on the likes of You So Fat, Melting Pot and, how else could it ever be, Kosen, Niko was already on the cusp of something else entirely though. Well, not entirely, but I liked how dramatic it sounded. You see, Julien wasn't the only one he loved collaborating with, for quite some time the two were also trying to get DJing pioneer and good mate of theirs Lionel Le Lutin Goulpie involved in their shenanigans. One day, Lionel finally caved and went over to their studio space. Of course, he was loving what he was hearing and since none other than Cause4Concern's late, great Optiv was visiting in a few days, he suggested they whip up some fresh tunes to show him. Two tunes, not enough time to actually think of a name for themselves and a little backstage showcase later, and they were already signed to his label Red Light Records.Of course, they took this early endorsement as a sign from the Neurofunk gods, now pouring every bit of available focus into this promising new supergroup they ended up (appropriately) calling Signs. Just in the first year, their baguette step could be heard on Red Light, Cause4Concern, Bad Taste and Vandal, with RAM, Eatbrain, Gridlok's Project 51, Ed Rush's Piranha Pool and, of course, Kosen following in the next one. Not only did they receive quite a lot of support from other DJs like Friction on BBC Radio 1 and Ed Rush on his Fabriclive mix, as a part of the aforementioned Enter The Grid crew they were also shelling down bangers all over the continent themselves, most notably at Let It Roll and on guest mixes for the likes of the now-defunct MethLab. You think that already sounds like a lot? That was only the first third of their journey! 2.3. Niko Levy And The Half Time Princes (2016 - Now)2016 wasn't just the Year Of The Compilations™️ for them, with entries on multi-artist EPs and LPs on Critical, Shogun, Vandal and Neosignal, it was also the year they embraced the slower, Hip-hop-slash-Halftime tempos they have all never really stopped loving, even through all this DnB madness. How did this come to be? Well, none other than Noisia reached out to them for some DnB tunage and, just to see what happens, the Signs bois poured Diesel, their very first Halftime tune, into that package of pure fire. The resulting inferno was so huge, the Dutch legends basically had no choice but to invite them spread their fire on VISION sublabel Division! While they would continue to put out Neuro on the likes of Kosen, Trendkill and NЁU, labels like Kinetic Records, OtherCide, SATURATE and especially Division became their safe haven for any BPM below the 100's.All that, plus remixes for Current Value and Optiv & BTK, collaborations with fellow Frenchie Redeyes, uploads to UKF, further Radio 1 support via Rido (more like Ridio 1) and support from DMC world champion DJ Craze, the sky was basically the limit at this point. Of course, that still wasn't everything though! They started cultivating their mixtape project #FollowTheSigns with appearances by Redeyes, HØST, Subp Yao and many more talents, created soundbanks for Fragment Audio and Xfer Serum, worked on music for media conglomerates like Warner and even did some occasional ad work. Even though the project's vital signs all seemed to be at a more than healthy level, behind the scenes each of the members were beginning to work more and more on their solo projects until the trio eventually finally formally announced their split up with one final piece of music, their Naegleria EP on Division in 2019. Primal Therapy went on to try his hand at a solo project called Ypno and a collaborative one with July Diggerz, aptly called Diggerz. Niko basically went back to his Opsen project, but also continued working with Le Lutin on all sorts of Halftime and murky foghorn DnB type beats as Cecil Hotel on labels like Flexout, ProgRAM and Sofa Sound. Obviously I'm leaving out a big one though. Yes, it's finally time. 3. Collaburroaktive Efforts (2019 - Now)You see, Niko actually never really had to go without a fellow Julien by his side! After getting in touch with each other through Kosenprod label manager Céline, him and Julien Clamps were dying to work together for years and in 2019, they finally managed to put their heads together for not just one, but actually two massive projects: Forum, their lush-liquid-and-bombastic-brrr's project with Vandal Records owner Julien "SKS" Despiau (yes, another Julien) with releases on Vandal, ProgRAM and Subtitles, and, of course, the name we have all been waiting for, Burr Oak.As you can tell from the artworks, the name Forum was born out of their shared love for Roman architecture, so did Burr Oak come about because they love trees? Not quite. While working on one of their infamously heavy basses, they suddenly started halluci-hearing the phrase "Walnut Grove" in it, which was where American Western historical drama “The Little House on the Prairie”, one of their favourite shows growing up, took place! They started reading up on the probably extremely extensive lore of the series and read that the Ingalls family, i.e. the main characters, moved to a place in Iowa called Burr Oak (spoilers!), named after a type of oak that Native Americans relied heavily on and even considered sacred. Since they liked the sound of the name and had always been deeply interested in old Western movies and Native American culture, it was a perfect choice. In mid-2019 they started planting their seeds of cinematic destruction with a series of singles back on Prolix's Trendkill, but soon enough, it was time to ravage the scene with incredible EP after incredible EP. While already quite humongous in nature, it was Hawkeye, their debut EP on Jade's legendary Neurofunk label Eatbrain, that showed the world the true power of the Burr Oak. With a well thought-out story framework based on the Westerns they grew up on, stunning accompanying artworks by Eatbrain's incredibly talented László Tringli and the two talents themselves singing for the first time, this was a real milestone in the evolution of Burr Oak as we know it today. Over the following years, the world has been blessed with further, equally if not more insane releases on Blackout (including my personal Best Of 2022, Shinigami with Billain), Rampage and Eatbrain, remixes for Noisia and Gydra and a collaboration with Blackout bosses Black Sun Empire. 2022 was also when the journey to their biggest, in all senses of the word, project yet began: Their debut album. Let's not beat around the bush any longer, let's do this! Track BreakdownYou have already heard notorious gunslingers Scruggs & Sonny Jim battling against the very Roots Of Evil themselves and rode alongside them through a strange land stuck in the Dark Ages, now we once again join them, on their journey to the legendary Burr Oak! Every now and then, I will try to fuse some parts of the incredibly detailed stories Julien, Niko and Eatbrain's very own, super talented storywriter Gwen Kubik have come up with into the text, but I highly recommend also seeking out the full stories for yourself. They're brilliant!1. Far From HomeIt's easy to see why the album opener Far From Home was long rumoured to be an official remix of Noisia's Could This Be, as it's actually the result of Julien and Niko trying to emulate some of the most iconic tracks of the early inspirations that the Dutch Neuro supergroup has been for them. Thanks to a healthy dose of their patented Burr Oak goodness™️, including both of them lending their voices for the very first time, it has absolutely become its own thing in the process though. In this far away land, our two gauchos cautiously trot further towards the distant behemoth of a tree, while a strange, menacing presence is already making itself known. They reach a point of peace and quiet, but this will soon prove to be the deceiving calm before the storm, as the massive basses begin to rear their heads again with new-found speed and aggressiveness just a couple moments later. Already a ridiculous intro, with so many twists and turns I'm surprised Scruggs & Sonny didn't get lost in it.2. Symbolic (Visualiser)Further down the road, they encounter a strange monument of a long-forgotten civilization, only recently laid bare after the enourmous glacier enclosing it for centuries had thawed away. As soon as it became visible on the horizon, a deeply disturbing war cry flashed through our two heroes' bodies, shaking them (and us) to their very core. The closer they got, the more of this construct's features began to surface, from all sorts of symbols from a bygone era to a pair of wolves sleeping at its base. Suddenly, the inscribed runes began to glow, causing the valley around it to violently shake, trapping both our cowboys and the twain wolves in its spell. We become witnesses to a vicious back-and-forth between sliced-up emotional outcries and a monstrous roaring response, which is absolutely bonkers, even for Burr Oak's already insane standards. You think it's over just like that? Hah! The second phase sees every fiber of our being rearranged into little bits and pieces by an incredibly break-heavy syncopation overload, until they are all grinded up into dust, eventually resulting in the collapse of this plane of existence we are wandering on. That's what it feels like at least.3. Broken BondsLong long ago, way before Scruggs & Sonny stumbled upon this monument, the bond between man and nature was ripped apart, leaving the world behind in emotional distress. On our third stop, Julien and Niko now show us the traumatic aftermath of this pivotal event in time, with a timid, heartfelt arrangement. In finest Depeche Mode fashion, with an extra dose of wonderful frenchness, they take us on a journey through pulsating distortion, frustrated feelings of resignation and all sorts of bleeps and bloops moving about. The longer this pain lingers, the harsher it gets, resulting in more aggressive distortion and, as if their performance wasn't already delightful enough, another very computeristic, high-pitched vocal layer behind the main chorus joining in on the fun, resulting in a truly unique multi-layered experience.4. L'EffondrementAs the spellbinding process of the monument unfolds, we continue to explore the world and the backstory behind it, this time focussing on the inciting incident, the collapse, or l'effondrement, as they would call it on Attack on Titan, Julien's and Niko's inspiration for the tune. Unlike what you might expect from my intro here, this world's collapse is less of an explosive blink-and-you-miss-it moment and more of a slow decay. Alien-sounding voices immediately put you at unease, before a relentless machine starts ploughing away at the foundation you're standing on. Over time, the earth begins to bellow back at its aggressors, with shiver-inducing growls from below, but the machines just keep on going until eventually the creaking and howling becomes almost unbearable.5. Twain WolvesOr should I say, un-wolf-able? You see, if you're not cautious, the Twain Wolves trapped in here with us are able to wreak absolute havoc on anyone who dares approach them. At first, they might only grumble at you, but if you kept going, they would unleash utter, earth-shattering hell. While one of them would bark at you with the force of a thousand suns, paralysing you in a state of endless waking nightmares, the other would pounce right at you so swiftly you wouldn't stand a single chance. Even if you somehow managed to escape, their otherworldly influence will result in the strongest of heart palpitations throughout the whole chase, until you are right back in the horrifying fight. Incredible tune honestly.6. No One Is InnocentAfter digesting this first stop on their journey, our cowboy protagonists venture further into the Forbidden West, where they encounter a newly blooming civilization! However, as they learn more about their daily life one thing becomes clear: they still rely heavily on the same technological artififacts that lead to the slow, insidiously destructive L'Effondrement in the first place! No One Is Innocent. Here we see (or hear) how the younger (rave) generation, with its youthful energy and anti-establishment attitude, represented by an acidic 4x4 buildup full of protest chants, can no longer just stand there and instead begins an all-out war against the oppression. Even though the fast-moving mechanical stomping and truly angry distorted basslines seems to have done some damage, they seem themselves forced to step it up another level. A somehow even more hype, pounding acid beat builds itself up to ridiculous levels, until the pent-up energy is set loose all at once, leading to full-on hostile reese basses and increasingly escalating sirens causing utter chaos in the streets.7. Running Next To The BisonFed up with the world, we tune our radio to a new station, only to be met with the same existential dread. We switch channels. "People getting sick, losing their jobs". Switch. Climate change. Switch. Oh, it's the classic theme song of The Good, The Bad and The Ugly, with our heroes Running Next To The Bison! Before we can actually get our heart rate down with this good ol' escapism, however, we are thrown right back into the chaos, with nerve-racking, ever-increasing melodies on top of incredibly weighty hits leading us to the the absolute heaviest, steppiest of our adventures in the steppe so far. Minimal in its arrangement, with only the barest minimum of drums and the funky flow leaving a lot of space between each hit, but absolutely maximal in the execution, we basically have no choice but to nod along to it. However, the longer it goes on, the more nastiness creeps into the gaps, until it becomes a cacophony of the most eldritch horror sounds you can imagine. In the best way possible!8. Go or Get Shot (feat. TheReal King Jay)On their train further towards the blasphemed temple at the heart of this wretched land, Scruggs & Sonny are suddenly stopped in their tracks by sheer endless masses of disfigured creatures threatening them to either Go or Get Shot. Missouri-based rapper TheReal King Jay provides the wonderfully vibey response, a mixture of confusion and acceptance of the situation they are finding themselves in, before we launch into one of the calmest Burr Oak drops so far. Since the topic is aggression, however, things of course start to escalate rather quickly, going from almost ethereal beauty to a wall of pure bass, violently shoving the waves of enemies back to where they came from. Never has a brawl against alien beings sounded so beautiful!9. Ring The Death KnellFinally having arrived at the forsaken temple, our cowboys eagerly step through its massive door, revealing all sorts of large statues, murals and... hordes of mechanical beasts, which do not want them there. They knew they had to react fast if they didn't want the Death Knell to ring for them, so without further hesitation, they threw a wad of TNT into the crowd and started blasting away with their trusty revolvers. With extra fonky, bouncy basslines reminiscent of Hawkeye, but with additional screechy heaviness and a rather explosive foghorn sprinkled in, and with a ton of the best bone-breaking, head-crushing and face-slapping samples from the legendary Terence Hill & Bud Spencer movies, they once again laid waste to them all, allowing them to make their way further into the temple.10. Supreme EntityInside, they stumble upon a gargantuan monument majestically rising up from the ground, glistening in the sun shining in from outside. As Scruggs & Sonny attempt to make sense of the cryptic inscriptions etched into its surface, they suddenly find themselves in an seemingly endless room above the clouds. A plant-based creature vaguely resembling a humanoid starts emerging from their surroundings, with everything shaking so uncontrollably that every fiber of their being was at risk of being torn apart. Towering over our heroes, the creature reveals itself to be the Supreme Entity. Every escape attempt proves to be futile, as their surroundings just keep on growling and dragging them right back to where they started. With a glitchy, distorted force none of them have ever experienced before, the Entity unveils its plan to mend the broken world once and for all: The Burr Oak.11. Uno (Visualiser)As the Supreme Entity Uno reveals more about its plan and how the Burr Oak came to be in the first place, our handsomely hatted heroes gradually realise just how sinister this is turning out to be. However, their dissenting thoughts are promptly and sharply cut off by a maniacal laughter, followed by Uno telling them off with a cocky No, no, no. They try to fight with all their might and a ton of sound effects, but Uno just clinically starts firing off all of its mind-bending mental weaponry, leaving little to no room for their own thoughts. For a while it tolerates this little back and forth, but at some point, it decides to end this silly squabble, revving up its engine further and further, until it eventually unleashes an absolutely massive ear-piercing scream that could shatter the boundaries of all known worlds, crushing everything in its way, while heavily syncopated gunfire clears the rest of the path for it.12. You Will Be MineClearly, they have angered the Supreme Entity, its fury pulsating violently through space. There is no escaping now. Its all-powerful voice repeating what it knows for a fact to be true, that You Will Be Mine, it gives off a strangely calming, almost serene vibe, but the closer it gets, the more deranged the now looping voice becomes. Then, when they think they have somehow escaped its grasp, Uno's spine-tingling, goosebump-inducing voice appears right inside their brain, before unleashing utter mayhem in the form of some hefty broken beat action, foghorn lasers and bombastic basses. The longer it goes on, however, the less our cowboys struggle against this forceful indoctrination, eventually fully giving in.13. Criminal RomanceNow having taken the more pleasant form of a plantoid Lady Justice, Uno begins to infuse the prophecy of the Burr Oak into them, here sang by Julien and Niko themselves. How the Criminal Romance, this wicked immorality, has befallen this once great land and the only remedy is helping the Oak regain its power, in exchange of freedom for our heroes. The further into the story Uno goes, the more powerful the magic around it becomes, until a vortex of natural energy fully enraptures our heroes. With the screechy voice of Uno piercing through every now and then, walls of pure bass fully close them off from the outside world, one-two-punching anyone who dares come close, while the whirlwind wildly shakes our heroes into submission.14. All I DreamWhile clearly having violent tendencies, Uno is not just all about chaos and destruction, it's also capable of dreaming of a more beautiful future. One in which we all live in harmony. With techy yet softly rolling drums, dreamy yet otherworldly melodies and a warm blanket of bass underneath it all, Uno shows our heroes that this peaceful, serene future is All She Dreams about. Channelling their inner Forum, this is probably the most relaxed and all-around lovely Burr Oak tune you'll ever hear.15. Relish The Moment (feat. Lifesize MC, Izela, & Lilø)This spur of positivity continues on Relish The Moment, with Giles "Lifesize MC" Refoy reprising his role as eloquent wordsmith from Dark Age, newly-discovered talent Elisa "Izela" Salat's continuing to impress with her soulful vocals and enigmatic newcomer Juliette "Lilø" Herry completing the life-affirming quintet. That's right, instead of gunslinging heroes blasting away alien beings, this one is about trying to make sense of the chaos that is life. Said chaos is represented by probably the wildest syncopated drumwork yet and absolutely deranged, glitched-out basses, which become somehow even more ridiculous in the slowed-down second half. And since the lyrics really make you think, they even threw in a couple Think Break vocals in there! Incredibly unique, wonderful tune.16. Save The DaysWhile we're exploring new kinds of Burr Oak experiences, let's hop on over to my absolute favourite of the album, Save The Days. Starting off relatively light-weight, with an ominous yet also strangely calming atmosphere and a simple yet gorgeous vocal sample, the tune put me in such a dreamy trance that what happened next threw me for the biggest curveball in quite some time. The atmosphere is cut wide open with a glitchy chime, followed by short scriggly sounds that scratch my brain in ways I have never experienced before, making way for the single most colossal wall of newschool synths I have ever been exposed to, with which Julien and Niko have built a truly glorious melody. I am seriously struggling to come up with words to describe just how ginormous this is and just how flashed I was, and still am.17. Blind At NightAlright, let's dive right back into the heavier sides of these two, with Blind At Night. With a now way more threatening buildup atmosphere, full of larger-than-life basses and featuring another fine-tuned emotional vocal performance, you already know this gon' get heavy. Repeatedly decrying that it's too late because they have sustained major bleeding wounds, it is not looking good for heroes, wherever they may be at this point in the story. Shortly after, we are proven right, as unhumanly distorted basses take control of the ride, only relenting at the very end, when we slow down once more for one final repeat of the vocal.18. Somewhere We BelongBoth we and Scruggs & Sonny have reached our respective destinations. In this grandiose finale, Julien and Niko are pulling out all the stops to depict the final act of this story, the final procedure to return the mighty Burr Oak to power. However, just as it is about to finish, the process fails with an ear-piercing error message! It's too late to go back now though, the Burr Oak starts booting up with all its might, with slowly-moving, deafeningly glitched-out basses whipped up to speed with heavily syncopated, snare-heavy drum loops. Once it has finished powering up, the air around it falls silent, but of course, this peace is short-lived, as the supernatural entity fires up once more, with even punchier, straight-forward and all-around raw drum action.ConclusionEven though it's quite the extensive body of work at 18 (!) tunes, thanks to a production so deliberately tight yet so magnificently massive, all at a level literally no one even comes close to at the moment, you are still left wanting even more at the end. As if that wasn't already enough, Julien and Niko went the extra mile and created a world so rich in details, so fun to get lost in and so creatively written that you just want to consume every last bit of related content available. Rarely do you ever see an album's story presented as uniquely as they did it here, with some story beats unfolding over 4-5 tracks, as if part of a multi-season TV show or a series of movies. I am honestly dying to see the full stories they have come up with, even just reading the short blurbs was already incredibly inspiring.There are so many instant classics on this album that I honestly struggle to pick my favourites, but after long deliberation, I would say my personal stand-outs are Symbolic, because the sheer magnitude of the delayed bass never fails to catch me off-guard, Twain Wolves, since it is the absolute meanest, most bassface-causing tune I have ever heard, and Save These Days, for being able to somehow be both absurdly heavy and outstandingly beautiful. Easily my favourite album of the year, nothing will be able to come close to it. Absolutely worth the hype, which is saying something. SocialsBurr OakEatbrain |
2023.04.11 06:59 AliceInCookies Who would win in a fight, Dr. Doom or Darth Vader?
The freighters opened fire, writing thick lines of plasma onto the air. The shots churned the ground, destroyed trees, heated the air of the clearing; one slammed into the chest of a Royal Guard and vaporized all of him save for his helmet...Lost in the Force, Vader anticipated the shots that would have hit him, saw the appropriate angles of impact and deflection, and used the rapid spinning of his lightsaber to turn first one, then a second, and then a third shot not into the tree line but back at the ships, the heat and energy of the blaster shots driving him backward, warming the hilt of his weapon, a heat he could feel even through his glove. - From the novel Lords of the Sith:Darth Vader can also use it offensively to throw around objects or lift them into the air
2023.03.08 19:10 AKM1711 I wish both casual and hardcore fans would understand each other's way of enjoying the media better.
2023.03.05 17:29 miarrial FRANCOPHONIE – Wikipédia : Mois de la contribution 2023
![]() | Lien submitted by miarrial to francophonie [link] [comments] https://preview.redd.it/7ys7sj0n5yla1.png?width=902&format=png&auto=webp&s=b65425d09f7cf94262aea297c3da0cb9473add93 https://preview.redd.it/7bi8eb9u5yla1.png?width=1318&format=png&auto=webp&s=98559b9bbeacde420dec43389bed8d245197db31 Le mois international de la contribution francophone est une série d’ateliers et d'événements organisée à travers la francophonie durant le mois de mars 2023. L'objectif du mois de la contribution est d'améliorer les projets Wikimédia en français. Les wikimédistes invitent les citoyens de leur région à participer à des ateliers de formation et de contribution, alors consultez la liste des ateliers ci-dessous pour trouver un atelier près de chez vous ! Préparatifs : comment organiser votre atelierVous avez envie d'organiser un ou plusieurs ateliers dans votre communauté, voici comment procéder :1 - Proposer votre atelier Proposez votre atelier Cliquez sur le bouton à droite pour proposer votre atelier. 2 - Ajouter son atelier sur le tableau de bord Afin de suivre les contributions faites pendant l'édition de cette année, une campagne est créée et est accessible sur ce lien : https://outreachdashboard.wmflabs.org/campaigns/mois_de_la_contribution_2023/overview. Veuillez bien y ajouter votre atelier en cliquant sur le bouton "Créer un programme" 3 - Demander une subvention Avez-vous besoin de subvention pour l'organisation de vos ateliers ? Vous pouvez demander une subvention microfi dès maintenant en cliquant sur ce lien : https://meta.wikimedia.org/wiki/Wikimedia_France/Micro-financement Si vous avez des questions, n'hésitez pas à a poser sur dans la page de discussion Dates et lieuxEn ligneVilleLieuQuandDescriptionContactEn ligneJitsi1er et 15 mars (fr), March 8th (en), 17h-18h (UTC+1)Atelier en ligne d'initiation à Lingua Libre[Mélody Xu YANG](mailto:[email protected])En ligneà déterminerà déterminerQuel est l'état des articles concernant la médecine vétérinaire sur Wikipédia ? Utilité de Wikipédia dans la médecine vétérinaire actuelle auprès de plusieurs publics (étudiant-es, praticien-nes, clientèle). Perspectives.AnjaAlgérieVilleLieuQuandDescriptionContactMostaganemUniversité de Mosataà definirTraduction / Rédaction articles. inscriptions en utilisant l'outil d'enregistrement sur metaGet FenyanBéninVilleLieuQuandDescriptionContactGodomeyLa Bibliothèque Bénin Excellence / Fondation Vallet de Godomey (Houédonou / Aïmèvo)samedi 11 mars, 10 h - 12 hDécouverte de wikipédia, l'encyclopédie collaborative, formation contribution participative pour tous niveaux mais aussi avec les spécialistes de l’information et de la communication à travers le GlaamAdoscamPorto NovoCAEB Porto_Novo à Adjinan en face de la CRIETsamedi 18 mars, 10 h - 12 hDécouverte de wikipédia, l'encyclopédie collaborative, formation contribution participative pour tous niveaux mais aussi avec les spécialistes de l’information et de la communication à travers le GlaamAdoscamGrand-PopoVilla Karosamedi 18 mars, 10 h - 12 hApprenez à contribuer à Wikipédia. Tous niveaux.Mah3110Porto-NovoBlolab Porto-Novovendredi 17 mars, 18 h - 20 hApprenez à contribuer à Wikipédia. Tous niveaux.Mah3110Sèmè-PodjiÀ confirmermardi 21 mars, 18 h - 20 hApprenez à contribuer à Wikipédia. Tous niveaux.Mah3110Burkina FasoVilleLieuQuandDescriptionContactBanforaLac de Tengrelasamedi 11 mars, 10 h - 15 hSéance photo au Lac de Tengrela situé au Sud-Est de la ville de Banfora (445 km de la Capital Ouagadougou).Tidjane HemaBanforaUniversité publique de Banforasamedi 12 mars, 09 h - 16 hInitiation à la contribution (Wikidata; Wiki Commons; Wikivoyage et Wikipédia.Tidjane HemaCentrafriqueVilleLieuQuandDescriptionContactBanguiCentre Numérique francophone de Bangui.jeudi 02 mars, 09h - 16hA la découverte des localités et de l'art culinaire Centrafricaine.[Kondotikodro](mailto:[email protected])BanguiCentre Numérique francophone de Bangui.Vendredi 03 mars, 09h - 16hA la découverte des localités et de l'art culinaire Centrafricaine.[Kondotikodro](mailto:[email protected])BanguiCentre Numérique francophone de Bangui.Samedi 04 mars, 09h - 16hA la découverte des localités et de l'art culinaire Centrafricaine.[Kondotikodro](mailto:[email protected])CanadaVilleLieuQuandDescriptionContactMontréalGrande Bibliothèque et en ligneMercredi 26 mars, 10 h - 17 h Sur invitationŒuvres littéraires francophones du Québec et du CanadaBernipèdeMontréalSiège de Wikimedia Tamazight et en ligneJeudi 30 mars, 10 h - 18 h et dimanche 2 avril de 18h à 20 h en présence et en ligneProjet:Les sans pagEs/Tamazight/Quinzaine des autrices francophones tamazightGreat11ColombieVilleLieuQuandDescriptionContactBogotaLycée français Louis-Pasteur03 Mars 2023Comprendre le fonctionnement de WikipédiaCulexCôte d'IvoireVilleLieuQuandDescriptionContactAbidjanForêt du Banco04 Mars 2023Prise de vue de la réserve forestière du BancoDidierWikiAbidjanSiège de Wikimedia CIV11 Mars 2023Téléversement des documents multimedias capturer lors de l'excursion à la réserve forestière du BancoDidierWikiAbidjanSiège de Wikimedia CIV18 Mars 2023Documenter les biographies d'une quinzaine d'autrices francophonesAman ADOKorhogoUniversité Péléforo Gon Coulibaly25 Mars 2023Renforcement des capacités des membres du club Wiki de Korhogo sur les projets WikimediaAbidjanSiège de Wikimedia Civ25 Mars 2023Formation à la thématique du changement climatique et contribution sur WikipediaManoukaRépublique démocratique du CongoVilleLieuQuandDescriptionContactBuniaSalle de la Division Provinciale de la Jeunesse/Bunia8 mars, 11-13hles rôles de la femme pour faire connaître de l'encyclopédie Wikipédia dans le partage de la connaissance, l'innovation»Franck AlfaniBuniaSalle de la Division Provinciale de la Jeunesse/BuniaSamedi 11 mars, 11-13hDécouverte de l'encyclopédie collaborative, Wikipédia, WikiCommonsFranck AlfaniKinshasaà préciserà préciserTerio legale, BehemeKisanganià préciserà préciserWINEURFranceVilleLieuQuandDescriptionContactSaint Gilles Croix-de-Vie (Vendée)Bibliothèque de Saint Gilles Croix de Vie, 16 avenue Gautté, 85800 Saint Gilles Croix-de-Viejeudi 16 mars et samedi 18 mars, de 14h à 16h.En coopération avec l'Accorderie du Pays de St Gilles et la Bibliothèque de St Gilles : présentation de wikipedia et initiation à la contribution. Sur inscription auprès de la bibliothèque : 02 51 54 70 90FurgallàeBourges (Cher)Amphi Hôpital Jacques-Coeur de Bourges , 149 av François Mitterrand 18020 Bourgessamedi 11 mars, de 14h 30 à 16h.présentation de wikipedia et initiation à la contribution.jean-gabriel.Mozziconacci 06 58 59 41 54Dol-de-Bretagne (Ille-et-Vilaine)La ZuutSamedi 18 mars, 14hDécouverte de l'encyclopédie collaborative.TrizekLimoges (Haute-Vienne)Bibliothèque francophone multimédiaSamedi 18 mars de 10h à 18hAtelier de découverte et éditathon dans le cadre de la Quinzaine des autrices francophones.AlacoolwikiLimoges (Haute-Vienne)Université de LimogesLundi 20 mars de 13 h. à 15 h.Rencontre sur l'écriture inclusive avec le projet universitaire Point·e médian·e, dans le cadre de la Quinzaine des autrices francophones. Retour sur le débat qui a animé la communauté wikimédienne.AlacoolwikiLimoges (Haute-Vienne)Université de LimogesLundi 20 mars de 15 h. à 17 h.Atelier avec des étudiant·es du Master d'écriture FABLI, dans le cadre de la Quinzaine des autrices francophones. (réservé aux étudiant·es)AlacoolwikiMontbrison (Loire)Centre social de MontbrisonJeudi 9 mars, 20 hDécouverte de l'encyclopédie collaborative (de l'utilisateur au contributeur). En association avec l'Université Populaire du ForezNezdekNancy (Meurthe-et-Moselle)Bibliothèque Municipale de Nancy / Bibliothèque StanislasSamedi 18 et Dimanche 19 mars de 10h à 18hDécouverte de l'encyclopédie collaborative (de l'utilisateur au contributeur), contribution participative avec les [NancyGLAMNancy] - institutions culturelles de la Ville de Nancy - sur le thème des graveurs lorrainsSophiekatmuséeToulouse (Haute-Garonne)Bibliothèque Municipale d'Empalot, 40 avenue Jean Moulin, 31400 ToulouseSamedi 11 mars de 13h à 17hAtelier de contribution sur les Toulousaines issues de la DiversitéVeleno16GuinéeVilleLieuQuandDescriptionContactConakryUNCDiane boraConakryUKAGLaouratou BarryBokéLycée Filira de BokéJeudi 09 et Vendredi 10 MarsCampagne de sensibilisation et de promotion sur l'utilisation de l'encyclopédie Wikipédia et Atelier de formation sur la création, la modification et l'amélioration des contenus sur Wikipédia et projets frères au Musée région de Boké et au Lycée FiliraFalilou224ConakryBellevueAboubacarkhoraaKindiaUniversité de KindiaMariamLabéBibliothéque communale de LabéMamadou Malal BakayokoKamsarBibliothéque communautaire de KamsarFatoumataMamouInstitut supérieur de MamouMuhammad BaldéDubrekaBibliothèque préfectoral de Dubreka13 (et) 14HaïtiVilleLieuQuandDescriptionContactPetit-GoaveBibliotheque Municipale de Petit-Goavemercredi 8 marsConférence et projection de filmKitanago, DastelPetit-GoaveBibliotheque Municipale de Petit-Goavevendredi 11 & samedi 12 mars, 10 hDécouverte de l'encyclopédie collaborative et contributionKitanago, DastelPort-au-PrinceUniversité Quisquéyasamedi 18 mars, 10 hAtelier de contribution sur les ouvrages écrits par des autrices francophonnes de la CaraibesKitanago, Dastel et Gislene CodioPort-au-PrinceUniversité Quisquéyasamedi 19 mars, 10 hAtelier de contribution sur les biographies des autrices francophonnes de la CaraibesKitanago,Dastel et Gislene CodioNigerVilleLieuQuandDescriptionContactNiameyIFTICSamedi 11 mars, 10 hDécouverte de l'encyclopédie collaborativeBarke11NiameyCampus numérique francophone de NiameySamedi 18 mars, 10 hDécouverte de l'encyclopédie collaborativeBarke11RwandaVilleLieuQuandDescriptionContactKigaliCentre de formation à Saint François D'Assise KigaliSamedi 11 mars, 09h:00-17h:00h UTC.Atelier de contribution "Femme et Changement Climatique au Rwanda"Cnyirahabihirwe123SuisseVilleLieuQuandDescriptionContactMeyrin, GEBibliothèque Forum Meyinsamedi 25 mars, 10 h. / 17 h.Atelier de contribution dans le cadre de la Quinzaine des autrices francophones. La matinée sera consacrée à un safari photo sur les femmes à Meyrin.Natacha LSPFribourg, FRMEMO (Bibliothèque de la ville de Fribourgdimanche 26 mars, 14 h. / 17 h.Atelier de contribution de Noircir Wikipédia dans le contexte du weekend des bibliothèques en SuisseDiscussion_Projet:Noircir_WikipédiaBurundiVilleLieuQuandDescriptionContactBujumburaLycée du Lac TanganyikaSamedi 25 mars, 08h:00 - 17h:00 UTC+2.Mois de la contribution francophone au BurundiGilbert NdihokubwayoGaleries d'imagesVoir toutes les photos de cette catégorie.Revue de presse📷∇J'ai participé au Mois international de la contribution francophone. Ajoutez ce code sur votre page. {{Utilisateur Mois de la contribution}}📷Affiche modifiable de référence pour le mois de la contribution.📷Affiche conçue pour être générique et intemporelle. Vous pouvez l'utiliser dans n'importe quelle ville et n'importe quand.
Foire aux questionsCette page recense les questions qui ont été fréquemment posées. Si la FAQ vous semble incomplète, n'hésitez pas à ajouter des sections ou à poser une question en page de discussion.[afficher]Pourquoi ma ville ne figure-t-elle pas dans la liste ?[afficher]Comment démarrer un événement dans ma ville ?[afficher]Comment trouver des gens de ma région pour participer ?[afficher]J'organise un atelier et les gens ne peuvent pas créer un compte, pourquoi ?[afficher]Doit-on se rencontrer sur le lieu même pour participer ?[afficher]Est-ce que je peux organiser un événement privé ?[afficher]Je n'ai jamais édité dans Wikipédia, puis-je joindre un événement ?[afficher]Puis-je choisir moi-même un article ?[afficher]Est-ce que les contributions d'images sont acceptées ?[afficher]Est-ce que je peux contribuer à un projet frère de Wikipédia ?[afficher]J'ai besoin de matériel de promotion : autocollants, dépliants, bannières... NotesVoir aussiSur les autres projets Wikimedia :
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2023.02.20 02:48 spookymom_26 Diana is available for HEATS!
submitted by spookymom_26 to lioden [link] [comments]
2023.02.14 22:54 clingklop Passages, quotes, and random takeaways from "Barkley: A Biography" (2022)
Three words caused the latest public uproar against Charles. Those same words also made Shaq laugh with such force that he would cry, cough, and wheeze for minutes on end. Big. Ol’. Women. Chuck had gone on for years about how his ass would look normal in San Antonio, which by and large, in his words, lacked skinny women. Now a spokesman for Weight Watchers, Charles joked how San Antonio would be a gold mine for the weight-loss and diet organization. To him, Victoria was a secret for the women of San Antonio, who were double-fisting churros and had to wear bloomers instead of racy lingerie.He was unhappy to get picked by the Sixers “I left college for 75k?”
His derogatory comments drew immediate national backlash and calls of apology from the women of San Antonio, city officials, and obesity awareness groups. Local journalists and bloggers ripped Chuck for body shaming, asking what his mother, wife, and daughter would think of what he said. Vanessa Macias, the girlfriend of Spurs legend Tim Duncan, made up tight-fitting shirts to show Chuck what he was missing.
Days later, Tim Kiely approached Charles about the public relations nightmare, O’Neal recalled. “Charles, you offended some people,” said Kiely, according to Shaq. Charles tentatively agreed that he would apologize on the playoff broadcast.
What began to sound like an apology went in another direction.
“Some of you people don’t like my sense of humor. Here’s what I got to say: Turn off your damn television. I’m not gonna change. If you don’t like me or the show, turn it off,” he said. “And they want me to apologize. That’s not gon’ happen. That’s not gon’ happen.” He added, “Y’all can write letters to your momma, your daddy, your uncle. I’m gonna have fun on television. You know that I’m joking around, but if y’all waiting on me to apologize, hell gonna freeze over.”
Smith asked again, to remind him why his colleague needed to apologize: “For me jokin’ about those big ol’ women down in San Antonio.”
"In his first draft as league commissioner, the mustachioed David Stern announced Charles Barkley as the Sixers’ pick. The grin on the commissioner’s face turned to a smirk as the dozens inside the Felt Forum went crazy.Kobe texts Charles angrily for three hours
In truth, Charles was half listening to Stern until the commissioner uttered his first name. The announcement was not a total surprise, but still just as disappointing. He took a deep breath and bit his bottom lip before sauntering to the podium. Visibly dejected, he lowered his head and walked to meet Stern. What had he just done?
“The look on my face is, ‘Are you kidding me?’” Charles said of his reaction on Draft Night. “I wasn’t smiling because I was like, ‘I left college for $75,000.’”
Many decades later, Charles pointed out how seemingly everyone around him was savoring the moment—that is, except him. “When people go back and look at me walking, and they see that awful burgundy suit, everybody else is happy and Charles isn’t happy,” he said.
"One person paying attention was Kobe Bryant—and he wasn’t in the mood for Charles’s shit. After Bryant put up just 3 shots in the second half of a Game 7 blowout loss to Phoenix in 2006, Charles labeled the superstar’s performance “very selfish,” accusing him of trying to prove a point that his otherwise lifeless Lakers team couldn’t do anything without him. The remarks enraged Bryant, who called Charles “stupid” for suggesting he was trying to tank the game. At around 2:00 a.m., Charles looked down at his phone inside Studio J and saw a text message. Bryant was pissed. And then another. And another. And many more.Manute Bol Teasing and Appreciation
“Kobe started texting me for the next three hours,” Charles said of the twenty to twenty-five messages he received from Kobe. “We’re going back and forth and he’s calling me every MF, every SOB in the world, and I’m laughing as I get these. I’m like, ‘Yo, man, pick up the phone and call me.’ [He said], ‘No, mo-fo.’”
“First of all,” he texted Bryant, “I’ve called you the best player in the world for the last three years and you didn’t exactly call and thank me. But I didn’t like what you did. And I knew what you were doing.”
The perception that Charles was right haunted Kobe so much that he went on Inside that same postseason to defend himself. The appearance of Bryant, in his light blue sweater-vest, white dress shirt, and gold tie, made Charles admit he was wrong to take his accusation to national television, a rare instance in which Chuck said he regretted publicly criticizing a player. They didn’t know each other very well, but the two made the moment into an inside joke, with Charles later admitting Bryant’s fiery responses were “awesome.”
"[Manute] Bol, who would end up sprawled in the back seat of the Buick, was said to have killed a lion with a spear. According to legend, one day in his family’s home village in Turalei, Sudan, a teenage Bol saw a lion running across the pasture toward the cattle he was charged to protect and launched the spear that killed the lion in midair. The myth repeated over time drew skepticism and razzing from Charles, who had read about it in the newspaper.Shaq and Charles Fight, Their Mothers Step in
“Man, you didn’t kill no lion,” Charles told his new teammate. “That lion was old and dead when you showed up.
...
Bol also became a target for the team’s lighthearted abuse and pranks. Hardly a day went by where Charles and Mahorn didn’t chase, wrestle or tape up Bol; or, in one case, stuff Bol inside of an equipment bag meant to hold a dozen balls. (“Charlie, let me out of the ball bag!”)
Bol was as curious as he was comical, once telling Charles that the problem with Black men in America is that they didn’t have any tribes and belonged nowhere as a result. Charles appreciated his perspective, once remarking that “if everyone in the world was a Manute Bol, it’s a world I’d want to live in.”
Charles’s frustration reached a boiling point on November 10, 1999, against the Lakers, when Shaq fouled Charles on the low post. O’Neal, who respected Charles but had no relationship with him at that point, blocked Charles’s shot and bumped his opponent’s bald head. Charles swung his elbows in response, and O’Neal offered a retaliatory push. At that point, O’Neal said he recognized the old guard was testing the new guard.Jordan drama
“I was determined that when it came to other legends, I did not want to really be their friends,” O’Neal said. “Of course, I respected Charles, but whenever I was out there playing, I was trying to rip his head off. I know he was the same way.”
Then, Charles fired the ball off the head of the Lakers center, who described the motion as “one of his Charles Barkley–like stupid things.”
“I was like, ‘Charles, I respect you, but now I gotta knock you out,’” O’Neal recalled.
The fight was on at the Compaq Center. O’Neal landed a glancing left punch to Charles’s head and Charles grabbed Shaq’s right leg for a lift-and-flip move, and got in a few short punches before both hit the floor. After the pair got ejected, Charles repeated a mantra: “Can’t let nobody hit me.”
The tussle got the attention of two women who wanted the nonsense to stop. In the locker room, Charles and Shaq both received a three-way call. A security guard handed O’Neal the phone and did not say who it was. On the line was not just his mom, Lucille, but also Charcey. Unbeknownst to Charles and O’Neal, their mothers had become best friends—and practically sisters.
“Don’t you hit my boy,” Charcey told the center, according to O’Neal.
The moms never planned to call their sons and didn’t take the scuffle personally, Lucille said. O’Neal’s mother saw them as kids on the playground who needed to figure it out, but Charcey still demanded accountability.
“She said, ‘Y’all need to stop!... We don’t want y’all fighting in front of the kids,’” O’Neal recounted.
“What was that all about?” Lucille remembered asking her son. “It’s a game! It’s a game!”
There was also another request: Kiss and make up. Answering “yes, ma’am,” O’Neal didn’t dare talk back to Charcey.
“My mom called right away, and we had to meet in the tunnel and shake hands,” O’Neal said, adding that they went out to dinner afterward.
The bond between their mothers created a mutual respect between them that would only strengthen over the years. But there would be no such goodwill two weeks later in Portland."
“The guy was like a brother to me for, shoot, twenty-something years,” Charles said in 2020.Charles and Shaq “fight” on Inside The Nba, mothers “intervene” again
In Jordan’s second full year as majority owner of the Charlotte Bobcats, no team in league history had looked as hopeless. En route to a 7–59 mark in a lockout-shortened 2011–12 season, the Bobcats had all but clinched the worst season for a team in the history of the NBA. No one would dare come to Charlotte in free agency, and the team had whiffed on lottery pick after lottery pick, until UConn guard Kemba Walker showed promise.
Their poor performance was historic, but the notion that it came under Jordan felt particularly jarring. Jordan wasn’t supposed to be this bad at anything basketball related. Yet midway through the season, the team was last in offensive efficiency and second-to-last in defensive efficiency, which was enough for broadcaster Jeff Van Gundy to proclaim that Charlotte’s coach, Paul Silas, should win Coach of the Year for miraculously winning any games, period.
...
When asked about Michael’s performance as an owner and eye for talent in 2012, Charles did not beat around the bush. Jordan’s record had spoken for itself after hiring close friend and former Bulls teammate Rod Higgins as general manager. Charles mentioned one instance leading up to the 2006 Draft when Jordan, in his first year as manager of basketball operations, was leaning toward selecting Gonzaga forward Adam Morrison with the third overall pick. Charles thought there was no way that Morrison, the nice kid with the 3-point stroke, bushy hair, and wispy mustache, could play in the NBA and urged his friend to take Washington’s dynamic scorer, Brandon Roy.
...
“I think the biggest problem has been I don’t know if he has hired enough people around him who he will listen to. One thing about being famous is the people around you, you pay all their bills so they very rarely disagree with you because they want you to pick up the check,” Chuck said. “They want to fly around on your private jet so they never disagree with you. I don’t think Michael has hired enough people around him who will disagree.”
...
“I love Michael, but he just has not done a good job,” he said. “Even though he is one of my great friends, I can’t get on here and tell you he’s done a great job. He has not done a great job, plain and simple.”
The radio show went to commercial, and Charles noticed his phone was ringing. He looked down to see who was calling him. It was Michael.
He picked up the phone and, for one of the first times in his life, he couldn’t get a word in. Jordan took what he said personally.
“He is mf’ing me up and down, up and down, up and down,” Chuck said. “I didn’t think Michael was gonna react like that.”
When he hung up the phone, Charles didn’t realize it would be the last time he’d speak to a man forever connected to him, one who was akin to a brother.
...
“The thing that bothered me the most about that whole thing, I don’t think I said anything that bad,” he said. “The thing that really pissed me off about it later is Phil Jackson said the exact same thing.”
The longer the split lasted the more people questioned whether the two would ever repair their friendship. Sam Smith, author of The Jordan Rules, saw the bond between Michael and Charles as overrated, a partnership blown out of proportion to make for a better story for the media. Charles was very much his own man, which didn’t always vibe with what it meant to be in Jordan’s bubble.
“Charles has always had a strong, independent streak about him and with Michael, if you wanted to be a part of his group, you had to subjugate yourself to Michael. I think Michael enjoyed his company, but you really didn’t get the sense he was part of his group,” Smith said. “As Michael’s celebrity grew, these guys wanted to be around Michael’s shadow and aura, and that’s just not who Charles was. He didn’t want to be a follower.”
Kenny Smith did his part to try to squash the silence in October 2016 when Jordan, who was staying at the same hotel in New York, came down to the lobby to congratulate him on the show being inducted into the Broadcasting and Cable Hall of Fame. Kenny was standing with Charles, and it was the first time he and Michael had seen or spoken to each other since their phone call four years earlier. They all took a quick photo together. Whatever tension existed looked to be overexaggerated, Smith said, and it was all high fives.
...
Four years later, with its arrival of the Michael Jordan documentary The Last Dance, came fresh takes on the Mike-Chuck bromance and its fallout.
On The Waddle & Silvy Show, the same radio program where he’d made his original comments, Charles acknowledged that the sadness over losing Jordan remained profound, but he’d come to accept it. Charles would not be the one to call Jordan, saying His Airness had his phone number and knew how to reach him.
Jordan would not apologize, and neither would he, Charles predicted. Thus, the two athletic superpowers remained in a Cold War–type standoff.
... “That’s never gonna happen. You can let that go,” he said to Le Batard. “That’s never gonna happen. I’m too stubborn for that.”
When it came to the on-air chemistry between Charles and Shaq, the pair needed to strike a balance. Sometimes, Shaq would be the combative foil who pushed back against Charles and reminded him of his career shortcomings in every debate. Sometimes, he would play the comedic hype man. But since the beginning, their on-air arguments have followed a familiar pattern, reminiscent of an old married couple. Their verbal spats regularly generate headlines in both the blogosphere and establishment media like the Washington Post, the Guardian and USA Today. Charles, the man without any social media who says anyone who tweets likely lives out of their mother’s basement, regularly trends on Twitter, in part because of his devolved debates with Shaq.
Charcey [Barkley] and Lucille O’Neal didn’t need social media to hear about the shots their boys took at one another. They were usually watching, with one calling the other to talk about whatever it was they had gotten into the night before.
“We would talk to each other each day on the phone and Charcey would say, ‘There they go arguing again.’ I would just bust up laughing,” Lucille remembered. “I started calling Shaquille and said, ‘Didn’t we tell y’all to play nice?’”
“I had to tell him, ‘Coach, there was one guy up there who’s the best player I’ve ever seen. It’s Michael Jordan,’” Charles said. “‘He was the only guy better than me.’”Shut Up and Dribble
“Some people don’t want to hear from professional athletes, like this lady on Fox News who told LeBron James to shut up and dribble. And dribbling is like LeBron’s only fourth thing he’s good at—shooting, passing, and magically making his hairline come back,” he observed. “Look, I got a message for people who complain about athletes: We can do a lot more than dribble.”Tons of controversy between excessive drinking, arrests, and speaking his mind. I did not realize how often he was controversial – most notably the misunderstood advertising campaign “I am not a role model” (he thought it was misunderstood as the focus should be on parents as the role model)
"Six years out, Charles was starting to recognize his true legacy: every short, fat guy who plays basketball will remind fans of Charles Wade Barkley.
“That’s not a bad legacy,” he told friend and co-author Michael Wilbon. “There’s always going to be short, fat guys.”
2023.02.14 19:50 Justdudeatplay Mission from the infirmary.
![]() | It’s about time I get this story down in its entirety. As a person who has practiced the spirit walk for a long time, you would think that it’s easier for me to reconcile with what happened, but the truth is that I do keep one foot in the practical world, and I live a modern life with a love for science and math. submitted by Justdudeatplay to myjournyjournal [link] [comments] I have always been able to ride both sides fairly easy. I don’t tell anyone what happens to me, and my online persona as either seeker79 or White Crane Feather remain almost like separate entities. Seeker79 is like my modern alter ego mixing science and mysticism, while White Crane Feather is my native american name. I don’t really separate them because they are me, but sometimes I almost feel like they are separate personalities that live in me. It’s odd because sometimes I can just tell who is talking. I am part Apachie and also Cherokee, but I'm also white. I didn’t grow up on a reservation or anything, but I was practically homeless growing up and the native american clinics took care of my mother and I. Anyway, This is going to be a hard story to believe, but i’m going to give a step by step account from memory and my journal, so it’s going to be a bit long. Looking back, I try to see if there is any place Im embellishing my memory, or have created false memories. Sometimes I'm forced to ask myself if I was suffering from some sort of delusional episode. I can’t make that judgment because all I can say is that it happened, so ultimately it’s for whoever I tell about it to make a judgment call. I can tell you that I'm not lying. This is not creative writing. This happened to me. If someone told me this story I would do what i always do and believe them with one foot, and be skeptical and practical with the other. It was Thanksgiving afternoon and the family was over. I was not feeling that well. I felt really off. I couldn’t quite place how I felt. It didn't feel good, but it wasn’t like I was sick. It was different. The sofa was and chairs were full of people and they were all talking and enjoying each other, and i was trying to follow along. I was sitting on the floor with a bean bag propped up against the wall. I must have dozed off. Well. At some point something hit me, and it hit me hard. I felt like I had just been hit by a car or something. I don’t recall a dream or anything prior to it, but there is an image of a sort of cloud rushing at me. I just felt like something slammed into me. Right there in front of my family I jumped to my feet in a gasp. I can’t explain it but it hit me so hard that I was just stunned. No lingering pain or anything, but the slam felt like it should have broken me, but I was fine… well not totally. One of my family members calls my name and asks what is on my arm. On the inside of my left forearm, there is a welt of sorts. It almost looks like a pretty bad burn. It’s large and almost encompasses my whole forearm. There is something really strange about it. It’s like a flame pattern that is of perfect shape. It looks like someone branded me with a flame pattern of sorts. It looked a bit like the attached picture only it was just one of those solids and the ends artistically curled in a lot more. It did not look natural at all, and it was raised, like a severe histamine reaction or something. Everyone in my family was looking at it, and they had seen me moments before and it wasn’t there, so they were all aware that it just appeared on me. Most of them thought I was having an allergic reaction to something. A couple of people told me I should go to the hospital. No one including myself had ever seen anything like that. The perfect shape made it really bizarre. So at this point in my life, I was already skilled at the spirit walk. That’s what the culture on my native american side calls it and I prefer the term over “Astral Projection.” In another entry i’ll explain more about how all that started, but this wasn’t my first odd experience, but it certainly turned out to be the most fantastical. Because I was aware this probably wasn’t something to be dealt with clinically, I shook off the calls from certain family members to go to the hospital. I told them I would go upstairs and take some benadryl and relax as I wasn't feeling all that well. It’s my house and I'm a grown man, so it’s not like anyone had any authority to make me go. Of course I'm not going to take medication. My real plan is to go upstairs, lay down and initiate spirit walk mediations. It all worked perfectly. If you look around at astral projection threads, I basically do it how most the tutorials say to do it. In fact I have written a few myself. Relaxation, maintain awareness, let your consciousness sink, Vibration, threshold sounds, exit the body. If you have come by this story, then you probably already know this sequence whether you have been there yourself or not. Now i’m out of my body standing over my bed and body. I didn’t think to look at my arm from that perspective, but it’s still on my spirit arm. For those of you who haven’t done this or are skeptical, all I can say is that it's a real phenomenon. Go watch the cartoon Avatar the last airbender. Ang spirit walks and even though it’s a cartoon, it’s pretty accurate. I’m not sure exactly how I'm going to deal with this just yet, but the way it usually works is I go outside and either fly to or enter a different realm to speak with a guide. Or something will come to me. So I walked downstairs. My family is still milling around, but of course I'm in spirit, so they are oblivious. I walk outside. My left arm where the flame pattern is is throbbing. I still don’t feel right. I’m just standing in my yard, i’m not sure how to go about finding out what is going on. But…. something is inside of me. I can feel it. Nothing has ever invaded me like this before. To be honest i didn’t think it was possible anything could attack me or get inside me, but i was doubting those sentiments at that moment. This is when I get a hold of myself. Being in spirit takes a certain kind of calm focus, and I was losing focus and my environment was turning dark. If I lost control I would end up back in my body. I put myself together and I just walk. So this entry does not have the benefit of my back story of blogs from my journal that I used to share years ago, so there are some things I have to jump right into. Out of body, there is a blue current that I can see inside of all living things. It sparkles and it looks pretty awesome. It’s not a glow? but more like threads or like blood vessels. They are bigger and more rope-like as you get to the center of any living thing. They can come out and you can harness them, but it’s like copying the energy, because it stays in the organism as well. I don’t even really want to get into all this, because what is about to happen is crazy enough, but I am familiar with these currents. As I'm walking, I just ask for help from nature. I did it mentally as a prayer of sorts and just asked for the Great Spirit (God if you like) or any of my friends to help me. I wasn’t scared in the normal sense. I know better than to let emotions hold me when I'm spirit, but I was concerned and confused at how this could happen. I let my hand with the “flame” on it go out from my body and my hand brushed a bush as I walked buy. Something that had never happened before happened. The blue threads of energy moved from the bush and into my arm on their own as I brushed it. They instantly infiltrated the flame on my arm and started burning it. The threads from the bush kept coming and i don’t know how to explain it, but a sort of war erupted on my arm between the flame and the blue energy. It twisted together, glowed bright blue and red with sparks and shit shooting out of it. It burned so bad. I was in intense pain, but I couldn't stop it. Normally I have a lot of power to manifest what I need out of body, but none of this was my doing. There was something beyond my pay grade going on and I was just along for the ride. I bore down on the pain, and I wondered if maybe this time I would not return to my body. Everything i knew about the spirit walk told me I would be fine, but in these moments I doubted that faith because i had never experienced pain like this before. It didn’t last that long. what ever the fuck was happening on my arm lasted about a minute relative to me i’m guessing, but being in that kind of pain made it intolerable. When it was over, I was surprised to still be out of body. I thought for sure it would have sent me back yet there I was. Looking at my arm, the pattern was gone. It had been destroyed by the life force from the bush. At least that is the only way I can describe what I think happened. A wave of gratitude washes over me. I just was so in awe that something so raw and physical could be taken care of this way. Blue energy is something I'm so … i don’t know how to say it…. in love with I guess is the best expression. Whatever was inside me was gon and it was a simple bush and the blue energy it holds that did it for me. God the great spirit answered me. I was just so grateful. Stay with me here. Remember i’m in non ordinary reality. I’m in the spirit world, but for you non woo types, I'm in a very deep hypnagogic trance. The reason I say this is because what comes next is very bizar, and most people don’t have any context for this sort of thing unless they have done heroic doses of mushrooms or DMT. But it gets even stranger. All This is just the beginning. I lift my chest up and float into the air. I surrender to the Great SpIrit and thank it profusely. I tell God that I belong to it and I will serve and surrender to however it can use me. I felt so much love for God and life and nature it was just washing over me. My body starts to dissolve. I transition into a complete ego dissolution state. I become one with the universe and god with all things. No one can explain how this feels. Some people get there with psychedelics, but it’s like a spiritual orgasim but you spread out. Some of your ego has to be there still because if you don’t remember it, then how can we talk about it, but it feels like you are nothing and everything at the same time. It’s both exhilarating and terrifying, but not during. Those are emotions you can only have afterward. Anyway, so it’s done. This bizarre and confusing incident is over. Whatever was in me has been defeated. I have been purified by the blue flames, and God and I have done our coom bi ya. I open my eyes expecting to be back in my bed. Not a chance. God has answered my offer to do what is needed. I’m not back in my bed. I'm standing. I’m still in the spirit world. Its dark but there are shadows of mountains around me. There is a being of light standing what would be about 10 yards in front of me. She is robed in white and she glows with white light. Her face is sort of distorted. Not in a scary way, but when i see beings that are not human, yet are sentient like humans, I see them as human shape, but they always have this bit of distortion to them. They are also unusually tall. If I had to give it a height, i’d say about 7ft. Of course this is all in altered states of consciousness. This is my memory that interprets what i’m experiencing. Our psyche needs context, so it creates imagery to fit the stories unfolding before us. Really this is a non physical reality and there is no such thing as height. It’s not the first time I have seen these beings. I know what they are. If you like the term angels, then it fits. I just call them beings of light. Behind the being is a large building. I know this place too. It’s the infirmary. If you are unfamiliar with the term, it’s a place that many spirit walkers have found. The best way to describe it is a hospital. I don’t want to get into describing its function and all that, I just want to tell you about the events because this is going to be really long. It’s just getting started. The being leads me into the infirmary. The other sound there try to grab you and pull at you as many are still in a state of suffering. There seems to be some sort of force field around me because they can’t get to me. The being of light leads me as we go over all the obstacles. In the infirmary, there are odd blocks to passed ways. Doors on the ceiling or floor, odd turned over furniture. The place is like a distorted fun house. The being leads me down and down until we come to a small room like a basement hospital room. Everything is white. There is a hospital bed but there is someone restrained in it. it’s a little tiny shriveled up man. It doesn't even look human. Maybe Goblin like. It’s almost cartoonish the way it looks. Something like Gollum on lord of the rings only smaller. There are 2 more beings of light here. There are contraptions that look like medical equipment, and there is a window high up as if we are in a basement like room. Outside the window is a tree. I recognize the tree. It’s a tree with really big almost tropical-like leaves that grow in the south. I spent some time in the south when i was a kid and these trees always had caterpillars on them. I enjoyed them as a kid, that’s why I remembered the tree so vividly. I usually am pretty candid with spirits, so I simply say to the beings of light that i am here and what do they want me to do. They are never very articulate. One says a one liner “Keep him talking.” At this point in my mind I'm taking everything very literally. I go to his bedside and try to think about something to say. I can’t think of anything so I look around the room for something to talk about, but the only thing that stands out is the tree I can see from the window. it’s out of place too. There really isn’t any color here, lots of white and grays, but the tree is an explosion of green. I try to tell the story about when I used to play with caterpillars on trees like that, but I could never finish. Suddenly I'm back in bed. I sit up. I look at my arm and the pattern is indeed gone. Before I even have another thought my phone beeps that I got a new email. I look at my phone and read the message. It’s from a young guy who has contacted me because of conversations about spirit walking and things on an online forum I used to visit a lot. He wants to know what happens to him if he kills himself. Eveidentently he is planning on going through with and he has a date. (If you know anything about suicide psychology, when someone has a date, it’s a huge red flag that the mean to do it). Chills run up my spine, as the words “Keep him talking” were spoken to me just moments before this. Not done with this yet. the story gets longer, more complicated and crazier. Part 2 coming soon. But I’ll just add it here. |
2023.02.14 18:11 clingklop Passages, quotes, and random take away from "Barkley: A Biography" (2022)
Three words caused the latest public uproar against Charles. Those same words also made Shaq laugh with such force that he would cry, cough, and wheeze for minutes on end. Big. Ol’. Women. Chuck had gone on for years about how his ass would look normal in San Antonio, which by and large, in his words, lacked skinny women. Now a spokesman for Weight Watchers, Charles joked how San Antonio would be a gold mine for the weight-loss and diet organization. To him, Victoria was a secret for the women of San Antonio, who were double-fisting churros and had to wear bloomers instead of racy lingerie.He was unhappy to get picked by the Sixers “I left college for 75k?”
His derogatory comments drew immediate national backlash and calls of apology from the women of San Antonio, city officials, and obesity awareness groups. Local journalists and bloggers ripped Chuck for body shaming, asking what his mother, wife, and daughter would think of what he said. Vanessa Macias, the girlfriend of Spurs legend Tim Duncan, made up tight-fitting shirts to show Chuck what he was missing.
Days later, Tim Kiely approached Charles about the public relations nightmare, O’Neal recalled. “Charles, you offended some people,” said Kiely, according to Shaq. Charles tentatively agreed that he would apologize on the playoff broadcast.
What began to sound like an apology went in another direction.
“Some of you people don’t like my sense of humor. Here’s what I got to say: Turn off your damn television. I’m not gonna change. If you don’t like me or the show, turn it off,” he said. “And they want me to apologize. That’s not gon’ happen. That’s not gon’ happen.” He added, “Y’all can write letters to your momma, your daddy, your uncle. I’m gonna have fun on television. You know that I’m joking around, but if y’all waiting on me to apologize, hell gonna freeze over.”
Smith asked again, to remind him why his colleague needed to apologize: “For me jokin’ about those big ol’ women down in San Antonio.”
"In his first draft as league commissioner, the mustachioed David Stern announced Charles Barkley as the Sixers’ pick. The grin on the commissioner’s face turned to a smirk as the dozens inside the Felt Forum went crazy.Kobe texts Charles angrily for three hours
In truth, Charles was half listening to Stern until the commissioner uttered his first name. The announcement was not a total surprise, but still just as disappointing. He took a deep breath and bit his bottom lip before sauntering to the podium. Visibly dejected, he lowered his head and walked to meet Stern. What had he just done?
“The look on my face is, ‘Are you kidding me?’” Charles said of his reaction on Draft Night. “I wasn’t smiling because I was like, ‘I left college for $75,000.’”
Many decades later, Charles pointed out how seemingly everyone around him was savoring the moment—that is, except him. “When people go back and look at me walking, and they see that awful burgundy suit, everybody else is happy and Charles isn’t happy,” he said.
"One person paying attention was Kobe Bryant—and he wasn’t in the mood for Charles’s shit. After Bryant put up just 3 shots in the second half of a Game 7 blowout loss to Phoenix in 2006, Charles labeled the superstar’s performance “very selfish,” accusing him of trying to prove a point that his otherwise lifeless Lakers team couldn’t do anything without him. The remarks enraged Bryant, who called Charles “stupid” for suggesting he was trying to tank the game. At around 2:00 a.m., Charles looked down at his phone inside Studio J and saw a text message. Bryant was pissed. And then another. And another. And many more.Manute Bol Teasing and Appreciation
“Kobe started texting me for the next three hours,” Charles said of the twenty to twenty-five messages he received from Kobe. “We’re going back and forth and he’s calling me every MF, every SOB in the world, and I’m laughing as I get these. I’m like, ‘Yo, man, pick up the phone and call me.’ [He said], ‘No, mo-fo.’”
“First of all,” he texted Bryant, “I’ve called you the best player in the world for the last three years and you didn’t exactly call and thank me. But I didn’t like what you did. And I knew what you were doing.”
The perception that Charles was right haunted Kobe so much that he went on Inside that same postseason to defend himself. The appearance of Bryant, in his light blue sweater-vest, white dress shirt, and gold tie, made Charles admit he was wrong to take his accusation to national television, a rare instance in which Chuck said he regretted publicly criticizing a player. They didn’t know each other very well, but the two made the moment into an inside joke, with Charles later admitting Bryant’s fiery responses were “awesome.”
"[Manute] Bol, who would end up sprawled in the back seat of the Buick, was said to have killed a lion with a spear. According to legend, one day in his family’s home village in Turalei, Sudan, a teenage Bol saw a lion running across the pasture toward the cattle he was charged to protect and launched the spear that killed the lion in midair. The myth repeated over time drew skepticism and razzing from Charles, who had read about it in the newspaper.Shaq and Charles Fight, Their Mothers Step in
“Man, you didn’t kill no lion,” Charles told his new teammate. “That lion was old and dead when you showed up.
...
Bol also became a target for the team’s lighthearted abuse and pranks. Hardly a day went by where Charles and Mahorn didn’t chase, wrestle or tape up Bol; or, in one case, stuff Bol inside of an equipment bag meant to hold a dozen balls. (“Charlie, let me out of the ball bag!”)
Bol was as curious as he was comical, once telling Charles that the problem with Black men in America is that they didn’t have any tribes and belonged nowhere as a result. Charles appreciated his perspective, once remarking that “if everyone in the world was a Manute Bol, it’s a world I’d want to live in.”
Charles’s frustration reached a boiling point on November 10, 1999, against the Lakers, when Shaq fouled Charles on the low post. O’Neal, who respected Charles but had no relationship with him at that point, blocked Charles’s shot and bumped his opponent’s bald head. Charles swung his elbows in response, and O’Neal offered a retaliatory push. At that point, O’Neal said he recognized the old guard was testing the new guard.Jordan drama
“I was determined that when it came to other legends, I did not want to really be their friends,” O’Neal said. “Of course, I respected Charles, but whenever I was out there playing, I was trying to rip his head off. I know he was the same way.”
Then, Charles fired the ball off the head of the Lakers center, who described the motion as “one of his Charles Barkley–like stupid things.”
“I was like, ‘Charles, I respect you, but now I gotta knock you out,’” O’Neal recalled.
The fight was on at the Compaq Center. O’Neal landed a glancing left punch to Charles’s head and Charles grabbed Shaq’s right leg for a lift-and-flip move, and got in a few short punches before both hit the floor. After the pair got ejected, Charles repeated a mantra: “Can’t let nobody hit me.”
The tussle got the attention of two women who wanted the nonsense to stop. In the locker room, Charles and Shaq both received a three-way call. A security guard handed O’Neal the phone and did not say who it was. On the line was not just his mom, Lucille, but also Charcey. Unbeknownst to Charles and O’Neal, their mothers had become best friends—and practically sisters.
“Don’t you hit my boy,” Charcey told the center, according to O’Neal.
The moms never planned to call their sons and didn’t take the scuffle personally, Lucille said. O’Neal’s mother saw them as kids on the playground who needed to figure it out, but Charcey still demanded accountability.
“She said, ‘Y’all need to stop!... We don’t want y’all fighting in front of the kids,’” O’Neal recounted.
“What was that all about?” Lucille remembered asking her son. “It’s a game! It’s a game!”
There was also another request: Kiss and make up. Answering “yes, ma’am,” O’Neal didn’t dare talk back to Charcey.
“My mom called right away, and we had to meet in the tunnel and shake hands,” O’Neal said, adding that they went out to dinner afterward.
The bond between their mothers created a mutual respect between them that would only strengthen over the years. But there would be no such goodwill two weeks later in Portland."
“The guy was like a brother to me for, shoot, twenty-something years,” Charles said in 2020.Charles and Shaq “fight” on Inside The Nba, mothers “intervene” again
In Jordan’s second full year as majority owner of the Charlotte Bobcats, no team in league history had looked as hopeless. En route to a 7–59 mark in a lockout-shortened 2011–12 season, the Bobcats had all but clinched the worst season for a team in the history of the NBA. No one would dare come to Charlotte in free agency, and the team had whiffed on lottery pick after lottery pick, until UConn guard Kemba Walker showed promise.
Their poor performance was historic, but the notion that it came under Jordan felt particularly jarring. Jordan wasn’t supposed to be this bad at anything basketball related. Yet midway through the season, the team was last in offensive efficiency and second-to-last in defensive efficiency, which was enough for broadcaster Jeff Van Gundy to proclaim that Charlotte’s coach, Paul Silas, should win Coach of the Year for miraculously winning any games, period.
...
When asked about Michael’s performance as an owner and eye for talent in 2012, Charles did not beat around the bush. Jordan’s record had spoken for itself after hiring close friend and former Bulls teammate Rod Higgins as general manager. Charles mentioned one instance leading up to the 2006 Draft when Jordan, in his first year as manager of basketball operations, was leaning toward selecting Gonzaga forward Adam Morrison with the third overall pick. Charles thought there was no way that Morrison, the nice kid with the 3-point stroke, bushy hair, and wispy mustache, could play in the NBA and urged his friend to take Washington’s dynamic scorer, Brandon Roy.
...
“I think the biggest problem has been I don’t know if he has hired enough people around him who he will listen to. One thing about being famous is the people around you, you pay all their bills so they very rarely disagree with you because they want you to pick up the check,” Chuck said. “They want to fly around on your private jet so they never disagree with you. I don’t think Michael has hired enough people around him who will disagree.”
...
“I love Michael, but he just has not done a good job,” he said. “Even though he is one of my great friends, I can’t get on here and tell you he’s done a great job. He has not done a great job, plain and simple.”
The radio show went to commercial, and Charles noticed his phone was ringing. He looked down to see who was calling him. It was Michael.
He picked up the phone and, for one of the first times in his life, he couldn’t get a word in. Jordan took what he said personally.
“He is mf’ing me up and down, up and down, up and down,” Chuck said. “I didn’t think Michael was gonna react like that.”
When he hung up the phone, Charles didn’t realize it would be the last time he’d speak to a man forever connected to him, one who was akin to a brother.
...
“The thing that bothered me the most about that whole thing, I don’t think I said anything that bad,” he said. “The thing that really pissed me off about it later is Phil Jackson said the exact same thing.”
The longer the split lasted the more people questioned whether the two would ever repair their friendship. Sam Smith, author of The Jordan Rules, saw the bond between Michael and Charles as overrated, a partnership blown out of proportion to make for a better story for the media. Charles was very much his own man, which didn’t always vibe with what it meant to be in Jordan’s bubble.
“Charles has always had a strong, independent streak about him and with Michael, if you wanted to be a part of his group, you had to subjugate yourself to Michael. I think Michael enjoyed his company, but you really didn’t get the sense he was part of his group,” Smith said. “As Michael’s celebrity grew, these guys wanted to be around Michael’s shadow and aura, and that’s just not who Charles was. He didn’t want to be a follower.”
Kenny Smith did his part to try to squash the silence in October 2016 when Jordan, who was staying at the same hotel in New York, came down to the lobby to congratulate him on the show being inducted into the Broadcasting and Cable Hall of Fame. Kenny was standing with Charles, and it was the first time he and Michael had seen or spoken to each other since their phone call four years earlier. They all took a quick photo together. Whatever tension existed looked to be overexaggerated, Smith said, and it was all high fives.
...
Four years later, with its arrival of the Michael Jordan documentary The Last Dance, came fresh takes on the Mike-Chuck bromance and its fallout.
On The Waddle & Silvy Show, the same radio program where he’d made his original comments, Charles acknowledged that the sadness over losing Jordan remained profound, but he’d come to accept it. Charles would not be the one to call Jordan, saying His Airness had his phone number and knew how to reach him.
Jordan would not apologize, and neither would he, Charles predicted. Thus, the two athletic superpowers remained in a Cold War–type standoff.
... “That’s never gonna happen. You can let that go,” he said to Le Batard. “That’s never gonna happen. I’m too stubborn for that.”
When it came to the on-air chemistry between Charles and Shaq, the pair needed to strike a balance. Sometimes, Shaq would be the combative foil who pushed back against Charles and reminded him of his career shortcomings in every debate. Sometimes, he would play the comedic hype man. But since the beginning, their on-air arguments have followed a familiar pattern, reminiscent of an old married couple. Their verbal spats regularly generate headlines in both the blogosphere and establishment media like the Washington Post, the Guardian and USA Today. Charles, the man without any social media who says anyone who tweets likely lives out of their mother’s basement, regularly trends on Twitter, in part because of his devolved debates with Shaq.
Charcey [Barkley] and Lucille O’Neal didn’t need social media to hear about the shots their boys took at one another. They were usually watching, with one calling the other to talk about whatever it was they had gotten into the night before.
“We would talk to each other each day on the phone and Charcey would say, ‘There they go arguing again.’ I would just bust up laughing,” Lucille remembered. “I started calling Shaquille and said, ‘Didn’t we tell y’all to play nice?’”
“I had to tell him, ‘Coach, there was one guy up there who’s the best player I’ve ever seen. It’s Michael Jordan,’” Charles said. “‘He was the only guy better than me.’”Shut Up and Dribble
“Some people don’t want to hear from professional athletes, like this lady on Fox News who told LeBron James to shut up and dribble. And dribbling is like LeBron’s only fourth thing he’s good at—shooting, passing, and magically making his hairline come back,” he observed. “Look, I got a message for people who complain about athletes: We can do a lot more than dribble.”Tons of controversy between excessive drinking, arrests, and speaking his mind. I did not realize how often he was controversial – most notably the misunderstood advertising campaign “I am not a role model” (he thought it was misunderstood as the focus should be on parents as the role model)
"Six years out, Charles was starting to recognize his true legacy: every short, fat guy who plays basketball will remind fans of Charles Wade Barkley.
“That’s not a bad legacy,” he told friend and co-author Michael Wilbon. “There’s always going to be short, fat guys.”
2023.02.04 19:57 dogglesnake ChocoPro 291 🍫 Best Bros (Mei Suruga & Baliyan Akki) VS Hagane Shinno & Sawasdee Kamen! Join us at 8 pm EST, Live & Free on YouTube!
2023.01.31 15:20 March_Explorer 最天然, 最 Pure, 最 True 嘅花生醬
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2023.01.30 12:18 KaSextortionists23 *Sextortion* 48 Hours After The Incident.
2023.01.21 21:32 dogglesnake ChocoPro 288 🍫 DDT’s Gota Ihashi debuts, Ryuichi Sekine returns to take on Masa Takanashi on his Birthday. Join us at 11 pm EST, Live & Free on YouTube!
2023.01.05 22:53 Apprehensive_Rip8990 Giving away free stuff that's good but they only want the stuff that is not
![]() | Why do people want partly used candles over almost new toddler products? submitted by Apprehensive_Rip8990 to mildlyinfuriating [link] [comments] |
2023.01.02 21:33 dogglesnake ChocoPro 284 🍫 Final of Five Episodes in a row! Kaori Yoneyama returns, Mei Suruga & Anarko Montaña VS Chie Koishikawa & Shin Suzuki! Tonight at 10 pm EST. Live & Free!
2023.01.01 12:21 Real-Air9508 Twój sterownik graficzny jest niekatualny
![]() | Mam dwie karty graficzne, intel i nvidia. Dlaczego otrzymuje to powiadomienie? Mam najnowszy NVIDI. Czy można sprawdzić czy wiedźmin korzysta z Intela czy Nividia? submitted by Real-Air9508 to Witcher3 [link] [comments] https://preview.redd.it/qd3kxrph1f9a1.png?width=1279&format=png&auto=webp&s=20ae5aeed893005d45a248002215e5526a215d6f |
2022.12.24 20:11 Axios_Moirai Issue with controller detection
2022.12.21 03:23 justfortheaitaposts who tf am i anyway (16F)?